The painter Aceldama, retired mediaevalist and former iconographer, uses the media and techniques common in writing icons for his panels devoted to the exploration of color relationships and mathematical proportions. Sometimes the subject is also mathematical; sometimes the subject is a development of more traditional genres, such as landscapes and stilllifes. One wonders, what would art look like if painters had been limited to the media and techniques of iconographers, but had studied in the studios of Cezanne, Braque, Feninger and the Futurists. Aceldama experiments with this idea.

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